If You Don't Like It
Michael McLane
(Wairarapa, New Zealand)
everyone has a gun or loaded question
I’m no specialist, but I am here
and perhaps that’s enough
if you don’t like it, you can leave
we underestimate fear as an export
it is a book of swatches,
ley lines through stone and broadcast,
3-D printable from home
Last night, my neighbour’s car
was set on fire by an angry ex—
how to escape that kind of heat,
police tape melting to the cooling frame
Are you a gun owner? This is inevitable
I don’t have children of my own, but the park
that was our front yard was full
of playground equipment unused
except for dealing or sex work,
a barter system, trembling hands
stealing bags and catalytic convertors—
if you value it, don’t leave it behind
one day, they had crayons and paper
from my neighbour’s sedan
their laughter made me terrified
of what I was capable of
I want to tour the States—
what cities are safe, where should I avoid
the West is full of ghost towns,
if you don’t like it, you can leave
there are places no one
should be in the first place, whole towns
made of hospitals and first responders
to the speed of interstate violence
You Yanks love guns like we love rugby
Like anything else,
love can be scaled up, sport or national
pastime
Anywhere a team loses, domestic
violence increases—
there are always two teams
and there is so much loss
But where do you recommend?
Some of the best meals I’ve had
were in a vegetarian restaurant
in Laramie, Wyoming
surrounded by cattle ranchers,
not far from the fence where
a nation was left for dead—still
there is real love amongst those booths
further down the highway, the bust of Lincoln
rises from rock, spotlights cut holes in the night
my country is incapable of caring for itself
if you don’t like it, you can leave
everyone here has made those shots their own
you can hear them break and rattle round
in their telling, unfamiliar and unnerving,
a bone spur or other growth in the body
sometimes you can forget it’s there
sometimes you remember where you were
when you heard nineteen children dead,
their teachers too
it was this morning—I was drinking coffee
and watching the controlled chaos
of two fantails in the yard, their affection
exploding gravity and physics—
a few small feathers in the afternoon
pinned to the bottom of the fence
as a shadow, blood already worked
into the grain
the cats that walk the fence line
gather in the burnt-out car today
the warmth of it lulling them to sleep
its boundaries meaningless
I’ve already forgotten where I was last week
when twelve were shot dead elsewhere
I’m losing my geography
If you don’t like it, you can leave
Michael McLane is an essayist, poet, and editor. He is the author of two chapbooks, and his work has appeared in journals in the U.S., U.K., Australia, and New Zealand. He lives in Martinborough, New Zealand/Aotearoa.
